Pope Benedict XVI Schola

Jeffrey Tucker has a fabulous post on The New Liturgical Movement , titled “When it is chant and when it is not.” Here’s an excerpt:

The famously unfulfilled mandate of the Second Vatican Council, that Gregorian chant should enjoy a principal place (principem locum obtineat) in liturgy, is finally being taken more seriously by Catholic musicians and ecclesiastical bodies. But there are many issues that are unresolved, mostly due to the lack of consciousness on the part of the musicians and clergy. The Vatican document from 1963 assumed more knowledge than most Catholic musicians and pastors currently have on this issue.
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The timing is awful, I know, but our next meeting/rehearsal is set for 4 p.m. this Saturday, March 22. It’s the day before Easter, the busiest time of the year for church musicians . . . but I didn’t want to skip a rehearsal and go a month without getting together.

Note the time: 4 p.m, not 4:15 as for the last two meetings. Rehearsal will be held in the nursery at Our Lady of Fatima Church in Alcoa. I thank our friends at Fatima for being so welcoming to us.

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I was talking with a friend on Monday night—an excellent bass whom I’d like to pull into the schola—about what sort of music we’ll be singing. I’ve been musing on the topic and will try to give you the nutshell version of my thoughts.

The blurbs I’ve been publishing say the schola will sing Gregorian chant (aka “plainsong”) and polyphony. But that’s not really very specific. The primary framework for my music decisions is the Mass: the proper texts for the Mass, the Scriptures for a specific Mass, and finally, the liturgical season.

What are the propers? These are settings of very specific scriptural texts for each Mass and feast day, as presented in the Graduale Romanum, or Roman Gradual. The propers may also be found in the Gregorian Missal, which has the virtue of offering English translations (for comprehension, not for singing).

The propers are not songs to sing at Mass—they are the Mass, an integral part of the liturgy.

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Four of us had quite a good meeting this afternoon and looked at the Communion chant used for the fifth Sunday of Lent (when the Gospel is the one about Lazarus’ being raised from the dead) and three short polyphonic pieces from cpdl.org. They can be found in this packet. We hope to meet again in two weeks—and you are all welcome—but someone just pointed out to me that two weeks from today is the Saturday before Easter. Of course, we’d rehearse in the afternoon, so we’d be done long before anyone has to report for duty at Easter Vigil. Location to be determined. I’ll keep you posted via the google group. Mary