Pope Benedict XVI Schola

Here’s a quote:

In his seminal work The Spirit of the Liturgy, then–Cardinal Ratzinger argued that the purpose of liturgy is not primarily to develop human relationships, be creative in worship, or promote humanitarian agendas. Rather, the liturgy is the worship of God. The forms and styles are given to us by the Church of the ages; similarly, bishops and clergy are not innovators but stewards of the inheritance they have been given.

Read the whole thing on insidecatholic.com. I’ve got to quote some more from Father Dwight Longenecker’s excellent article (hat tip to Toni for sending me the link):

Similar reasoning explains Benedict’s wish for Gregorian chant and sacred polyphony to be used more widely. No one expects that every parish will suddenly switch to Gregorian chant and polyphony but rather that a wider use of traditional music will influence the positive development of Catholic sacred music.

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Five people interested in the schola met with me yesterday, Feb. 23, in the library at St. John Neumann Church. We had a good session, I think, and those who came were further along that I had expected. I chose some very simple chants for us to go over—and these people aced them. I need to choose more difficult music for next time . . . We will meet again in two weeks, this time at Our Lady of Fatima Church in Alcoa. Because the schola isn’t affiliated with any particular parish, we may end up meeting at multiple locations. In any case, for next time I’ll prepare a short introductory spiel for newcomers and then move directly to some more challenging chant—perhaps a Communio. I’ll also bring a simple piece of polyphony in case we have enough voices to cover three or four parts. At the initial meeting we had talented altos and tenors, so we could perhaps have sung some of Orlando di Lasso’s elegant little bicinas, but that’s about it. By the way—I’ve added a custom-search feature (see “custom search engine” in the first sidebar) you can use to find articles, documents, and what-have-you on specific sites I’ve chosen.

I’ve bought a lot of chant books in the past two years, but my favorite remains A Gregorian Chant Master Class by Dr. Ted Marier, available from the Abbey of Regina Laudis in Bethlehem, Conn.

The good sisters have done us all a favor by making it possible to buy the book online. Last time I ordered a copy—in September, as a gift for a friend—I had to pay the old-fashioned way, by mailing a check.

The book offers a handy chart of neumes (the symbols used to represent the notes), clear explanations of how each one is sung, detailed examples, and a CD with a series of short lessons. If you want to learn chant, this is an excellent resource to start with.

Our first meeting—open to everyone interested in learning more about the schola—will begin at 4:15 p.m. Saturday, Feb. 23, at St. John Neumann Church in Farragut. I expect it to go until about 5:30. Noel Jones, music director for the parish, will begin free classes in reading Gregorian chant notation on the same day, same place, from 3:30 to 4:15 p.m. The classes are free and open to everyone. Requirements for the schola are a bit tighter: members must be able to read music and match pitch with other singers. But everyone is invited to the interest meeting. E-mail me with any questions you may have.